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- Autorius: Angela Grauerholz
- Leidėjas: Steidl GmbH & Co.OHG
- Metai: 2025
- Puslapiai: 360
- ISBN-10: 3958295606
- ISBN-13: 9783958295605
- Formatas: 23 x 29.9 x 2.7 cm, minkšti viršeliai
- Kalba: Anglų
- Extra -25 % nuolaida šiai knygai su kodu: ENG25
La femme 100 têtes / The Hundred Headless Woman (el. knyga) (skaityta knyga) | knygos.lt
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Aprašymas
La femme 100 têtes / The Hundred Headless Woman presents over 150 portraits of 100 women-some acquaintances, some strangers-taken by Angela Grauerholz over a 30-year period and presented for the first time in this book. Collaging diverse photos made with various cameras and technologies with text fragments from a range of mostly female authors, Grauerholz creates a hybrid between a magazine and book that forms a complex portrait of women. The title La femme 100 têtes is borrowed from Max Ernst's 1929 Surrealist collage novel of the same name, in which he combined cut-up and reassembled nineteenth-century illustrations with bizarre captions. Grauerholz welcomes the double entendre of Ernst's title-when read aloud in French it means both "the hundred-headed woman" and "the headless woman"-to create a sense of womanhood intricately individual and violently anonymous. The intentionally quotidian nature of Grauerholz's photos blurs the "class" distinctions between images in an art context, in a printed publication and on the Internet, and tests the changing ways we encounter and judge photography.
EXTRA 25 % nuolaida su kodu: ENG25
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- Autorius: Angela Grauerholz
- Leidėjas: Steidl GmbH & Co.OHG
- Metai: 2025
- Puslapiai: 360
- ISBN-10: 3958295606
- ISBN-13: 9783958295605
- Formatas: 23 x 29.9 x 2.7 cm, minkšti viršeliai
- Kalba: Anglų
La femme 100 têtes / The Hundred Headless Woman presents over 150 portraits of 100 women-some acquaintances, some strangers-taken by Angela Grauerholz over a 30-year period and presented for the first time in this book. Collaging diverse photos made with various cameras and technologies with text fragments from a range of mostly female authors, Grauerholz creates a hybrid between a magazine and book that forms a complex portrait of women. The title La femme 100 têtes is borrowed from Max Ernst's 1929 Surrealist collage novel of the same name, in which he combined cut-up and reassembled nineteenth-century illustrations with bizarre captions. Grauerholz welcomes the double entendre of Ernst's title-when read aloud in French it means both "the hundred-headed woman" and "the headless woman"-to create a sense of womanhood intricately individual and violently anonymous. The intentionally quotidian nature of Grauerholz's photos blurs the "class" distinctions between images in an art context, in a printed publication and on the Internet, and tests the changing ways we encounter and judge photography.
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